The Last Thing the Author Said: Writing by Nick Sweeney
  • First Thing
  • The Last Thing the Angel Said
    • A Little History
    • Gallery
  • The Dali Squiggle
  • The Fortune Teller's Factotum
  • Cleopatra's Script
  • The Emigre Engineer
  • A Blue Coast Mystery, Almost Solved
  • The Exploding Elephant
  • Laikonik Express
    • Laikonik Express on Kindle
    • Laikonik Express: cultural baggage
    • Reviews of Lakonik Express
    • Laikonik Express - origins
    • Laikonik Express film
    • Laikonik Express on Resonance FM - soundscapes with Johny Brown and the Band of Holy Joy
  • One Percent Dog
  • My Published Short Stories
  • Interviews with me
    • Interview, June 2020
    • Interview, October 2020
  • My works-in-progress
    • The Galitzkis: a Gothic American Tale
    • Angelika and the Forgers
  • Last Thing Blog
  • The Same Cloud of the Blues

Elvis: rex futuris rex quondam, the once and future king of rock n roll, as discussed with a Parisien teddy boy

3/28/2014

1 Comment

 
Picture
Paris has been on my mind recently, after my February visit. My first trip there was in the summer of 1980. I think of myself as very much post-punk by then, but looking back I still had the spiky hair, charity shop jacket, skinny trousers, and possibly plastic sandals, brothel creepers or winklepickers that still passed for punk four years on. None of that stopped me getting into conversation with a French teddy boy on the steps of Montmartre below the Sacre Couer church. I was slightly nervous. Punks and teds had long before made a truce in Britain, but, you know, this was a foreign country, and maybe trends and enmities lasted longer there – or maybe the decree that teds should hate punks had only just been translated into French and was now effective… If that was so, he didn’t seem to mind my being ‘the enemy’. I wasn’t that nervous, but, you know, I was on holiday, and was, sort of, grown up by then, so didn’t want to be going getting into a fight, for Chrissake.

“Elvis est Le King,” he told me.

I didn’t think so. I wasn’t one of those punks who’d cheered at Elvis’s 1977 passing, but he was somebody my mum liked, so I thought he was a bit naff, really – mums’ and dads’ music. Fresh in my mind, I suppose, was bloated Vegas Elvis, and not the cool young dude who’d broken all that ground in the 50s and made some fine records I now love. I thought I’d better not test this guy’s goodwill and say I thought it had to be a very long time since Elvis had made a decent record. Instead I latched onto a linguistic certainty. “C’est a dire,” I said, “Elvis est le roi.”

“Non non, le King,” he said.

“Yeah but… that’s… like, I mean… Ici, il est le roi, non? Le roi de rock n roll.”

“Il est le King,” the guy insisted. “Elvis est le King.” He seemed genuinely puzzled as to why I couldn’t take this on board, and soon got up to go, giving me a what-kind-of-twat-are-you-actually look but offering a handshake all the same.

At that time, French was the only foreign language I knew, learned, somewhat painfully, at school and unused and ignored for five or six years. What’s more, I’d never lived abroad anywhere, and didn’t have the experience or knowledge to realise that languages are living things, that they don’t always follow the rules in coursebooks. Just as we call a dead end a cul-de-sac in English, a heel shaped like a sharp knife a stiletto, a one-storey house a bungalow, the pleasure in other people’s bad luck schadenfreude, the French also incorporate a load of foreign words quite naturally into their everyday language, despite the disapproval of the Academie Française.

So at least I learned something from my meeting with the cheerful French ted. Firstly, he was right, and Elvis was at least the first king* of rock n roll. He also gave me a signpost to this kind of linguistic sharing, and to the rather disappointing knowledge that I could be pedantic, and wrong, in at least two languages. I could have made it worse: I remembered one of our French teachers telling us that in France teddy boys were known as yé-yé boys** (from the English yeah), so at least I didn’t insist on calling him a oui-oui garçon – he might really have hit me then.


*I couldn’t find a photo of Elvis wearing a crown – that would have been a bit crass, and I’m glad he was sensible – I mean, it must have been tempting. The search for Elvis Presley + crown did lead me to a photo of his dental mould. Hmm. Er, no: Google it yourself.

**Not exactly true, in fact. They were more like 1960s pop kids. Proper teddy boys would have beaten them up. And would have been very narked if I’d mistaken one for a yé-yé boy. Bloody teachers.


Picture
1 Comment

Blog Tourist - the Writing Process Blog Tour

3/24/2014

0 Comments

 
My participation in The Writing Process Blog Tour, by kind invitation from Sharon Zink. Sharon’s novel Sharonville will be published in June by Unthank Books. See more from Sharon at  www.sharonzink.com

Every blogger on The Writing Process Blog Tour is going to make an attempt to answer these questions.

What are you working on at the moment?

My main project is the production of two linked novellas focusing on two girls from different families in small-town Pennsylvania – or, to be completely accurate, somewhere like Pennsylvania. I’ve only been to the States once, and not for that long, but the geography of the story dictates that it couldn’t be set in Britain. I did make a try, but it didn’t work out. So it’s a virtual America in my novellas, virtual towns in a virtual Pennsylvania.

The first novella is called The Fortune Teller’s Factotum. Ashley Hyde is from a family at the uncool end of showbiz, her dad being a daytime TV producer and her stepmother being the host of an inane breakfast show. She lives in a town where everybody knows her business, and where she can’t get away from the fact that she has been very publicly dumped out of the only romance of her life, and where her car has been wrecked in a moment of malice. The whole town seems to be conspiring to humiliate her. But she is on a college course that will allow her to get away to study medicine in New York, so the future seems bright, as long as she can get to it in one piece. Her life is underscored by a feeling of unease, the face she sees in the mirror always seems to be screaming, and she is fixated on the lacks in her life, of friends, of a lover, of a mother.

Ashley’s mother is one of America’s disappeared; she went out one day and didn’t come home, and this event makes itself felt deep in Ashley’s mind every day. Where did her mom go? And is Ashley going to join her? Could a fortune teller help? Certainly not, says stoic, scientific Ashley, and yet she finds herself facing one anyway.

The disappeared, their stories thumbnailed onto milk cartons and posters, and in documentaries that titillate rather than help, are very much a part of both of these novellas, as are serial killers and the faded fortunes of a family who made their money in arms dealing. Extracts from The Fortune Teller’s Factotum and its companion novella The Firemont Dorns are here on the site.

I’m also working on short stories, and at the moment I have one lined up for publication in Ian Chung’s wonderful Eunoia Review for next August. It’s called Andabatae – they were the most hopeless gladiators of ancient Rome, criminals forced to fight to the death with their eyes covered – and is about a group of friends in modern-day Rome whose lives are unravelling.

How does your work differ from others of its genre?

I always find this a bit difficult to answer. I don’t write anything that can be classed within a genre, apart from the rather ambiguous one of so-called literary fiction. Some genres are clearly defined – detective, romance, horror, whatever – and often with good reason, as booksellers have to set out their stalls somehow. Literary fiction can be anything from books perceived to be ‘highbrow’ and yet which seem like genre fiction – Sebastian Faulks, for example, with his war stories – to unreadable rambling avant-garde rants. Literary fiction is often (snobbily) described as ‘genre fiction but well-written’ – very patronising! And my work? How does it stand out from other literary fiction? I don’t know, really. I don’t really know. I really don’t know. Sorry.

Why do you write what you do?

Again, a difficult question. A part of me would like to do a nine-to-five day writing a series of detective stories that would sell well enough to guarantee me enough to pay the mortgage and have a week by the sea every summer. My novel Laikonik Express (Unthank Books, 2011) was set in the Poland in which I lived and travelled during the 1990s, and featured characters that were partly based on people I knew, and incidents that actually happened… and yet it’s not ‘about’ these things, as such; a reader has to have a story, so the story is ostensibly about a man in search of a way to fill the lacks in his life… or in fact, two men… or three… or about a woman who wants to end her life being remembered in a certain way… But then why did I write that story and not a different one? Only I can know, and I don’t, really. Telling that story was what grabbed me and obsessed me at the time. Maybe I write what I do because I just can’t write that series of detective stories. I usually describe my work (in the kind of short author biographies required in publications) as ‘reflecting my interest in Eastern Europe’, and some of it does, but inevitably that isn’t the whole story. In no particular order, I am interested in people’s motives for doing the irrational things they do, in language and in languages (there is a distinction, of course) and how both affect the ‘message’ people put out, in architecture and how it affects people’s environments, in people in flux, whether as individuals or en masse, such as migrants, in music, in history, and in a lot of other things, all of which find their way into my work. There is a range of my short stories on my website.

How does your writing process work?

It’s chaos. It only looks like a process in retrospect. I think about what will go into my writing all the time, and I write anywhere and everywhere, and at any time. Accordingly, I use notebooks and pens a lot, as well as computers and tablets. I still like notebooks, though; you can scribble and doodle in them, or conjugate irregular German verbs on the spur of the moment, do shopping lists, write reminders. I feel slightly envious when I read ‘My Writing Day’ features and writers say they get up at 6.30, walk the dog, make porridge, write from 7.30 till 12, have lunch, then write from 1.30 till 5, and then lead regular lives. My life is kind of irregular. My writing is irregular. I am easily distracted, by my other life as a husband, by yet another as a musician, by cycling, driving, shopping, drinking coffee, by TV sport, by the things around me and outside. It’s chaos, but if I could do it another way, I’m not sure if I would.
Picture
Next week, author Lawrence Burton will be on The Writing Process Blog Tour. He is the author of the novel Against Nature, and is a writer and artist originally from the UK. He will be answering the same questions on his blog An Englishman in Texas.

0 Comments

    LAST THING

    Nick Sweeney

    Kent-based musician with Clash covers band Clashback, among others. Writer of novels, short stories and pastiche Balkan tunes. My five longest works are Laikonik Express, The Exploding Elephant, A Blue Coast Mystery, Almost Solved, The Émigré Engineer and Cleopatra's Script. My stories are all over the place... in a good way!

    Picture
    Cleopatra's Script, set in 1990s Rome. A couple's romance is thrown off-course by the murder of a young Roma child, and their knowledge of the killer. Golden Storyline Books, December 2022.

    Archives

    November 2024
    February 2023
    January 2023
    November 2021
    October 2021
    February 2019
    August 2018
    May 2018
    April 2018
    September 2017
    July 2017
    June 2017
    March 2017
    December 2016
    March 2016
    January 2016
    December 2015
    November 2015
    December 2014
    November 2014
    July 2014
    April 2014
    March 2014
    May 2013
    February 2012
    October 2011

    Categorie

    All
    1970s
    Adam And The Ants
    Adam And The Antz
    Adam Ant
    Adam Ant Autobiography
    Ambit
    Andy Warren
    Animal Stories
    Annabella Lu Win
    An Outsider Anthology
    Anti-vegetarian
    Anxieties
    Anxiety
    A Peace To End All Peace
    Army
    Art
    Baby Trafficking
    Bad English
    Baklava
    Band Of Holy Joy
    Barista
    Barracks
    Beer
    Bernard Hinault
    Blessing Eggs
    Bowie Haircuts
    Bow Wow Wow
    Bulimia
    Cadel Evans
    Cafe
    Caffeine
    Caffe Nero
    Cairo
    Capital
    Capitalism
    Carpet Seller
    Catering
    Catholics
    Ceramic Poppies
    Children's Songs
    Choices
    Christmas
    Churches
    City
    Civil Strife
    Col De La Madeleine
    Come-uppance
    Con
    Con Men
    Conscience
    Conscripts
    Couples
    Courage
    Cycling
    Cycling World Champion
    Danger
    Dave Barbarossa
    Dave Barbe
    David Bowie
    David Fromkin
    David Mamet
    Deception
    Dentist
    Determination
    Diet
    Digital Narcissism
    Dilemma
    Dirk Bogarde
    Dirk Wears White Sox
    Disaster Selfies
    Djma El Fnaa
    Dope
    Dreams
    Dreamscape
    Drugs
    Dublin
    Easter
    Easter Monday
    Editing
    ELO
    Embarrassment
    Emigrant
    Eunoia Review
    Exiles
    Factotum
    Failure
    Famine
    Fermentation
    Fetishism
    Fighting
    Flowers
    Food
    Fortune Teller
    French Language
    Friends
    Friendship
    Galicia
    Geoff Nicholson
    Gleiwitz
    Gleiwitz Incident
    Gliwice
    Grape
    Greek-Turkish War 1921-1922
    Greg Lemond
    Guitar
    Guitar Chords
    Guitarist
    Guy Fawkes
    Haircut
    Halloween
    Health And Safety
    Heavy Snow
    Hitch-hiking
    Horror Stories
    Hot Country
    Hunger
    Hustlers
    Ibiza
    Injury
    İstanbul
    Joanna Ingham
    John Hartley Williams
    John Keeneye
    Johny Brown
    Jordan
    Jubilee
    Kemal Ataturk
    Kids
    Kiev
    King Alexander Of Greece
    Knife Fight
    Laikonik Express
    Lance Armstrong
    Launch
    Learning Instruments
    Lloyd George
    Lokum
    London's Arts Radio Station
    Lonely This Christmas
    Looking
    Lublin
    Macca
    Major Tom
    Major Tome
    Malcolm Mclaren
    Marakech
    Marco Pirroni
    Marfan Syndrome
    Mark Cavendish
    Matthew Ashman
    Mauro Santambrogio
    Meaning
    Misunderstanding
    Monkey Bite
    Monstrous Men
    Morocco
    Mud
    Muffins
    Mullet
    Munich Olympic Hostages
    Murder
    Music
    Musicians
    Musos
    Nazis
    Neo-noir
    New Year Resolutions
    Noir
    North London
    Novella
    Outsiders
    Overeating
    Owl Bookshop
    Pamela Rooke
    Panic
    Parents
    Paris
    Pavlov's Dogs
    Peeping Tom
    People Trafficking
    Platform For Prose
    Ploughshares
    Poland
    Polish Stories
    Poppies
    Profanity
    Professions
    Prohibition
    Publication
    Puerile Behaviour
    Red Kitchen Equipment
    Remembrance Day
    Resonance 104.4 FM
    Retreats From Oblivion
    Road Trip
    Roadtrip
    Robbery
    Rob Davis
    Royal Society Of Literature
    Russian Revolution
    Second World War
    Self-defence
    Short Story
    Siemiatycze
    Slacker
    Slackers
    Slavic Diaspora
    S&M
    Small-town America
    Snake Charmer
    Soldiers
    Sommelier
    Soundscape
    South Moluccan Siege
    Soviet Union
    Stalking
    Stand And Deliver
    Starvation
    Stories
    Stranger Danger
    Sub-conscious
    Sweets
    Sweetshop
    Sydney Lindt Siege
    Thanksgiving
    The Exploding Elephant
    The Fortune Teller
    The Fortune Teller's FActotum
    Theft
    The Pitch
    The Place Of The Dead
    The Solution To The Rooks' Rider
    The Thin White Duke
    The Two Ronnies
    The Warsaw Voice
    Tiger Feet
    Tooth Decay
    Tour De France 2010
    Tour De France Win
    Tower Of London
    Traffic
    Trafficking
    Treblinka
    Trick Or Treat
    Tunisia
    Turkey
    Turkish Delight
    Ukraine
    Understanding
    Unintentional Humour
    Unintentionally Hilarious
    Urban Legend
    Valley
    Vegetarian
    Village
    Vodka
    V S Pritchett Award 2015
    Waiter
    West Germany
    Wikipedia
    Wine
    Writers
    Writing
    Writing Process
    Writing Raw
    Yellow Jersey
    Yorkshire
    Ziggy Stardust

    RSS Feed

      Contact:

    Submit
The Fortune Teller's Factotum, an American tale that spans a turbulent century. Get it here