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The Only True Outsider - a Trip to Auschwitz, with food

11/11/2021

1 Comment

 
Picture
Mixed feelings and sandwiches on a minibus trip from hell to Hell itself - a visit to Auschwitz concentration camp in southern Poland. Should you be visiting such a place - and, if you do, should you bring your own sandwiches?

My story The Only True Outsider never quite gets to answer these questions, just examines them, lets them go, but leaves them in mind all the same.

It came out in Burningword Literary Journal #91, and the magazine can be found here should you wish to order it. The story is below:


 


Miriam, sandwich? The man waves one. You want?

She doesn’t. Miriam expects him to see that she is busy, and doesn’t want. She is talking to my wife. My wife is looking out the window. I know the look on her face, having to be polite.

We are polite on holiday. We don’t take drugs, on holiday. It’s like we want time out from our bad habits, but the reason is that we don’t risk bringing drugs with us on cross-border trains – only in our heads, a last glorious ingestion in the station toilets. We also don’t risk buying drugs on holiday. Our experience of this has led to a crushing disappointment in our fellow men, loss of money, and, once, loss of blood (mine). I’m not a fighter, and in any case we are too old to squabble with strangers over the price or the alleged purity, or lack of it, of various powders. So we are more polite to strangers, but more edgy if they overstep the boundaries.

It’s us and them in the minibus. As it was early in the morning, and we were bleary-eyed, that wasn’t apparent when we boarded. It was only on the road that they revealed themselves as a group, and, as collateral, us as outsiders.

Gradually, they shout merrily at one another. It is a small minibus. They extract sandwiches from Tupperware, examine them, and pass them around. It is a confined space. We are hungover. The sandwiches contain salami with a discernible garlic content. There is coleslaw. I know because, in the act of being passed, some of it, reverting to liquid in the heat, drops on my bare knee. I examine it. My instinct is mean, to wipe it on the nearest garment belonging to one of the group, but instead I use the underside of the seat.

Miriam talks to my wife about where we are going on our sightseeing mission. She finally refuses the sandwich, which stops the man we suppose is her husband from offering it. Instead, he says, well don’t ask me later for one, and adds endless variations of this warning.

Miriam’s older relatives, and those of the whole group, and those of my wife, went to where we are going, some of them leaving it, luckily, to tell the world about it. This leaves me as the only true outsider. The minibus driver delivers us to Auschwitz, the museum on the site of the notorious Nazi death camp. In the snack bar there, Miriam buys a Snickers, with me behind her in the line, dehydrated and in search of fizzy water. I say to her, you should have had the sandwich, and she snorts and nods and grimaces and says, yah – who knew, right? She rejoins the group, my wife holding on to my sleeve to make sure we let them get far enough away to be out of earshot, to be miserable on our own terms, and in our own silence.
​
1 Comment
Stas
4/27/2022 08:05:11 am

Heavy stuff and short and to the point. You can see it, the bus and the people confined in it. Bizarre sightseeing place, I think.

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    LAST THING

    Nick Sweeney

    Kent-based musician with Clash covers band Clashback, among others. Writer of novels, short stories and pastiche Balkan tunes. My five longest works are Laikonik Express, The Exploding Elephant, A Blue Coast Mystery, Almost Solved, The Émigré Engineer and Cleopatra's Script. My stories are all over the place... in a good way!

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    Cleopatra's Script, set in 1990s Rome. A couple's romance is thrown off-course by the murder of a young Roma child, and their knowledge of the killer. Golden Storyline Books, December 2022.

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The Fortune Teller's Factotum, an American tale that spans a turbulent century. Get it here