The Last Thing the Author Said: Writing by Nick Sweeney
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Trick, treat, great, or crap? Some thoughts about Halloween.

10/30/2011

5 Comments

 
When I was a kid we didn’t do Halloween in England. It was purely an American thing, a thing I read about in American comic books, and that was all, or so I thought till I went to live with my aunt in Dublin. They had Halloween there, for sure: it was Guy Fawkes Night, basically, but with Guy Fawkes happily absent from the proceedings, no bonfires, and with fireworks few and far between. I didn’t realise it till years later, but of course it’s because Guy Fawkes was a Catholic, and not just any old Catholic, but one who'd tried to blow up the Protestant king and government of England. They were hardly going to celebrate barbecuing him in Catholic Ireland.

I date Halloween in Britain to sometime in the 1990s. I was living abroad by 1990, and we didn’t have it then. When I got back in the late 90s, we did, for some reason – pure commercialism, I guess; it's all been imported and forced on us. A bit like the Corn Laws of 1833 et seq. I also think it has something to do with festivals, and how lots of people get the taste for dressing up funny and partying, with any excuse. And why not? I mean, one thing London really needs is yet more pissed people wandering around looking wacky. So now we have the virulent anti-Catholic cat-scaring whiz-bang of Guy Fawkes and the crazy dressing up of Halloween all together in the space of five days.

My wife is from Northern Ireland. She tells me that kids there did a thing they called Halloween Dunders; it involved knocking on people’s doors and legging it. I mean, we used to do that all the time in London, or, at least, anytime we were bored. We called it Knock Down Ginger, for some reason. I can’t see the point of Halloween Dunders – it’s all trick and no treat. They’re pretty hardcore in Ulster.

I forgot for years that I’d once taken part in Halloween, that year in Dublin when I was nine. I can’t remember what my costume was. I do remember that we went out in a gang, not accompanied by adultts, and that we ranged round the few
streets near where we lived, in Clontarf. Our local haunted house, called Simla Lodge, scary even in the daylight all year round, must have looked even more spooky that night. I also remember knocking at some old woman’s door, and she
handed over the goodies then asked, puzzled, “Who are you?” For reasons that escape me, I named some local kid. “You’re not him,” she said, and the old crone made a grab for my mask, unsuccessfully. I stepped back and left, and thought no more of it.

Later, probably years later, I thought she must have had a good idea of who I was. Everybody knew everybody, at least by sight, in Clontarf, and she must have known – as everybody else seemed to – that I was one of those pathetic brothers from London, who’d been sent over to my aunt’s to allow my dad to die in peace, albeit at great length, of cancer. Though I wasn’t sure of the last part, I think I was pretty sure that our presence in Dublin had at least something to do with our dad having been in bed at home more or less permanently, for some time.  I’d hardly been in Dublin long enough to acquire a Dub accent. So the nosey old biddy was just being a nosey old biddy; the things some people expect in return for a hard toffee – those yellow-wrapped ones from Quality Street that nobody likes – and a miserable apple…

A few years ago my friend Jerry, who’s from Pennsylvania, was living in London, up near Belsize Park which, if you don’t know it, is one of the wannabe posh areas leading up to truly posh Hampstead. The evening before Halloween one of his neighbours, a big-haired wannabe posh woman, appeared at his door, clutching a big bag. She informed him that, the next evening, her children and their friends would be calling to do trick or treat, and that he was to be so kaind as to present them with the small bag of goodies she extracted from the big bag, and passed over to him. Jerry took the bag. It slipped his mind that he wasn’t going to be home the next evening. Being a bodybuilder and a growing boy, he probably scoffed half the goodies before he even got back to the living room.

We both thought it was kind of laughable, a little pathetic, in fact. As a kid, Jerry and his friends went and did their trick-or-treating round their neighbourhoods, just as I did it that one Halloween in Dublin. Scary stuff happened, sort of – isn’t it meant to? There was probably the weirdo neighbour who wore socks and sandals, from whose place strange noises could be discerned once the ring of the doorbell had subsided. Was he playing basketball with a kid’s head? Was he behind the door with an axe? Or maybe just crouching there hoping those damn kids would believe he was out, and go away and bother somebody else? There were the usual rumours: kids taken to hospital with razorblades-stuck-in-apples wounds, kids frothing at the mouth and out of their minds on MDMA and acid – like any self-disrespecting acid-head was going to just give it away like that…

I believe there wasn’t ever too much of that kind of thing. Maybe it was all part of the Halloween myth – after all, kids are more likely to meet fucked-up people who like harming children than they are to happen across vampires, werewolves and zombies. But in Jerry’s day, and my single night, the point was that kids went out, with their friends, and did it. The scary stories gave us an idea that there was at least some risk involved – I mean, Halloween is supposed to be scary, remember? So we thought the visit from Jerry’s neighbour was kind of ludicrous; where was the spontaneity in that? And, we thought, later, where was the opportunity for a trick?

I’ve since had a similar visit from my own next-door neighbour. In 2008, her kids had called at the door going, “Trick or treat,” in bored monotones. Not doing Halloween at all – I think I thought of it in Britain as solely to do with adults partying and looking ridiculous – I was slightly puzzled, and had to get them to repeat it. If it looked to them like I’d never heard the three words, it seemed to me that they didn’t even know what they meant. There were five kids, I think, gathered somewhat awkwardly on our top step. Out on the pavement near our gate stood a gaggle of parents. Not being into Halloween, and not being the kind of household that keeps things like crisps, biscuits, cakes or stuff like that (they have a short, doomed existence in our house) I had nothing to offer. I didn’t think they’d have liked a Ryvita, some leftover pasta or a pickled walnut. Fortunately for all of us, the poor little mites didn’t seem to know how to trick: they came expecting treats only, with no contingency plan. I sometimes think all middle-ish-class kids expect to be treated, all the time, without having to do anything for it. It was a forlorn sight: kids, supposedly out to have some fun, dressed in costumes from the pound shop, mouthing words they didn’t understand at puzzled strangers, and their mums and dads a few yards away holding a health-and-safety committee. Really, where IS the fun in that? It was crap. 

I’m not saying kids should be exposed to stranger danger on Halloween or any other night. If I had kids, I really wouldn't want them wandering round knocking on people’s doors. I’d still be worried about razor blade apples and soft drinks with MDMA and rat poison in them, just a bit, despite the urban legend nature of those stories, and about Gary Glitter answering the door. On the other hand, children should be able to have a proper childhood, and to be able to believe in imaginary things that grab them, enthuse them, scare them, even, a bit. What’s the answer? I don’t know that. But their Halloween experience ought to be better than the one I saw.

So in 2009 my neighbour came the day before, with the treats supply. I chickened out of giving her a condensed version of what I write above; she was just doing what she thought best, trying in her own way to make something of Halloween for her kids and their friends. I told her, truthfully, that I thought we might be out, but she kindly gave us the treats anyway, said it was no big deal, and that we could give them to somebody else if we weren’t in. I wasn’t at home, as it turned out. My wife duly handed over the trickless treats.

My neighbour didn’t come last year, and nor did the kids. Maybe they’ve grown out of it, or maybe have tumbled, basically, that it’s just crap.
5 Comments

Animal intervention

10/27/2011

4 Comments

 
I do a lot of reading - as a writer, I guess I'm supposed to, but I always did anyway. See my About reading page on this site. As well as the books I get through, I also read a lot of fragments of things - on the internet, in magazines, and in books I'm not reading, as such, at the moment, but in books I have read or will read. I was bored with whatever I was reading yesterday, and picked up my battered copy of David Fromkin's A Peace to End All Peace; the Fall of the Ottoman Empire and the Creation of the Modern Middle East. One of the advantages of such a long title is that I don't need to explain what it's about. If you want to re-examine the origins of what's going on now in the Middle East, then this is a good place to start: scheming westerners and Americans feature, of course, but also, to be balanced, a lot of opportunist local leaders willing to be schemed against for a slice of the pie. The passage I was reading featured the lead-up to the Greek-Turkish war of the early 1920s; Greek Prime Minster Venizelos had realised by the twenties that Lloyd George no longer had it in him, nor any real political clout anymore,  to support his so-called 'Grand Idea' - this was for the Greeks to occupy Anatolia and regain a large part of the territory that would have made up ancient Greece - a skewed idea, in any case, ancient Greece being a series of city-states, rather than a united nation. The main problem was that Anatolia had become the heartland of the new Turkish republic under Kemal Ataturk. All the same, Venizelos kept on discussing it with Lloyd George who, with no real interest in it, kept the Greeks at bay with a year of dissembling. Should Venizelos send his army into Anantolia to attack the Turks? The book continues:

What Venizelos and Lloyd George would have decided to do can never be known for sure, for one of the most bizarre political accidents in modern history took the matter out of their hands. On 30 September 1920 the young Greek King, Alexander, while taking a walk in the grounds of his palace, was bitten by a monkey. A severe fever set in and, on 25 October, Alexander died. In a famous phrase, Winston Churchill later wrote that "It is perhaps no exaggeration to remark that a quarter of a million persons died of this monkey's bite" - for it was his belief that if Alexander and Venizelos had continued to rule Greece, the tragic outcome of the war that Greece was to wage against Turkey in 1921 and 1922 would have been averted.

I don't know what grabs me so much about this story. I used it as the basis for an incident in my story Monstrous Men - see my Short stories and tall tales page - which goes:

Even as an unacknowledged child of privilege, L’s child had been allowed to go anywhere she wanted to. This included the animal cages at the palace zoo where, one day, a gibbon bit her. The wound festered, and she died, closely followed, probably, by the monkey keeper and the nanny.

I like stories about animals, in general, though inevitably I read more of them as a child than I do as an adult. There's something about their lack of intent, the laissez-faire chaos of their world, that appeals to me, I think. I'm writing a story at the moment that features an animal at its centre - not a thinking one, like Tom, or Jerry, Top Cat, Roadrunner,  but an animal nevertheless. The story partly features how people relate to animals, and how people get them to appear to reflect their own opinions, and, it is suggested, endorse them. That's not the main point of the story (which is quite long) but one that came out of the background as I wrote. At the moment the story is called The Fortune Teller's Factotum, and I think it'll be under construction for a while yet. You can see two pieces from this tale - at the moment, not quite long enough to be a novella, but terribly long for a short story - here: http://www.nicksweeneywriting.com/my-works-in-progress.html 

4 Comments

Launch of Ambit 206

10/26/2011

0 Comments

 
I went to the launch of Ambit 206 last night at the Owl Bookshop in Kentish
Town
. I think most bookshop launches are much the same: glass of wine or two, quietish crowd, the opportunity to hear writers reading their work from a few feet away. It's a formula that probably shouldn't be messed-with too much.

Poet John Hartley Williams was over from Germany, reading some of his poems which will appear in the next Ambit (207, out in January) for reasons that escape me. They centred on an eastern-sounding empire, and reminded me a little of some of Alisdair Gray’s work, and were very good. He also read them with a hint of performance, which always helps.

I also liked Joanna Ingham’s work, and one poem  in particular, about the sinister aspects of communication between genders at primary school.

Ambit prose editor Geoff Nicholson read out his Frequently Asked Questions – (sorry this title is incomplete, but) points to the nature of the piece, hardly a story, rolling out those questions people, or computers, ask, in the full knowledge that people think they know the answer, never know the answer, or will not be helped in any way by knowing the answer.  It which was slightly surreal, and very funny. 

I was told Ambit have accepted my short story The Pitch for the next edition, which will be out in January. See my Out Soon page here:
http://www.nicksweeneywriting.com/out-soon.html to learn more about the story.

Ambit had its Arts Council funding withdrawn a few years ago, and needs all the support it can get. It’s been going since the late 1950s, so is no ordinary small press magazine. See its website here: http://www.ambitmagazine.co.uk

The Owl Bookshop is at 209 Kentish Town Road, London NW5, and is a great independent bookshop. (Actually, just found out it’s been bought by Daunt Books, but will continue under its existing name – Daunt seem to be okay, though – a small chain.) The Owl still has the atmosphere of an indie, anyway.

Ambit's prose editor Geoff Nicholson is the author of novels and non-fiction including Gravity's Volkswagen, The Lost Art of Walking and The Hollywood Dodo. 

John Hartley Williams has published twelve collections of poetry. His latest collection, Café des Artistes(Cape), was published in 2009.

Joanna Ingham's work has been published in various magazines. As a student at
Birkbeck College, she won the Michael Donaghy Prize for Poetry 2009.

0 Comments

Last things first

10/21/2011

4 Comments

 
I'm blogging after a relatively sleepless few days of writing, working not only on my follow-up to Laikonik Express and a short story work-in-progress (see my works-in-progress tab on the main site) called The Fortune Teller's Factotum, but also some of my freelance editing. Do I get them all mixed up from time-to-time? Not really. It'd be difficult to look at any of the factual, prosaic things I work on to make a living and mistake them for anything creative - the creativity with them is in making them readable, which is not a snarky comment: they're not setting out to be Dostoevski or anything. The two pieces of my own are easily separable too, though maybe there are things I'm not aware of that make me impose the style of one onto the other. I wonder if mega-successful writers, Booker Prize winners and all, ever work on more than one major thing at a time - I imagine they do.

I spent much of yesterday doing a Wikipedia entry for the band I play with, the Trans-Siberian March Band. There are dire warnings all over the 'create a new page' bit of Wiki, things like "Don't do a wiki on the band you play in; if you're notable enough, somebody will do one eventually; very few bands are worthy of inclusion in Wikipedia..." etc etc, and fair enough. I'd had the wiki entry written for about 6 months, but was always put off doing it whenever I read these words. What made me go ahead and do it yesterday? It was finding a wiki entry for a band we are friendly with, and have seen on the London scene, though we've never shared a bill with them. They're in a similar situation to us, but, arguably, have done a lot less. So I went ahead and did it anyway. I had to put on my dispassionate editing hat and savage the rather flowery text I'd written, reduce all our beautiful endeavours, the exciting places we've been to on tour, exotic venues, surreally brain-addled promoters, all to a few matter-of-fact lines. I'm still waiting to see if Wikipedia's watchdogs will get rid of it citing contravention of their 'notability' clause, but will be on the point of arguing that my friend's band's entry shouldn't be there either - which seems a bit mean... I hope it won't come to that.

Tomorrow I may just junk writing and do something else. It's not like I'm sick of it, or anything, but I don't do it so well when I'm overloaded. On the other hand it's not going to do itself...

4 Comments

First Post!

10/20/2011

1 Comment

 
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    LAST THING

    Nick Sweeney

    Kent-based musician with Clash covers band Clashback, among others. Writer of novels, short stories and pastiche Balkan tunes. My five longest works are Laikonik Express, The Exploding Elephant, A Blue Coast Mystery, Almost Solved, The Émigré Engineer and Cleopatra's Script. My stories are all over the place... in a good way!

    Picture
    Cleopatra's Script, set in 1990s Rome. A couple's romance is thrown off-course by the murder of a young Roma child, and their knowledge of the killer. Golden Storyline Books, December 2022.

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